The Bozeman Symphony presents performances of Symphonic Revolution on March 2nd and 3rd featuring preeminent masterpieces from two of Russia’s most famous composers – Piotr Ilyich Tchaikovsky and Dmitri Shostakovich. Guest Conductor Elliot Moore will join the orchestra. From its stunning introduction through one of classical music’s most enduring themes, Tchaikovsky’s wildly popular Piano Concerto No. 1 will showcase the talent and virtuosity of our special guest, Ching-Yun Hu. The phenomenal orchestral techniques of Dmitri Shostakovich in his captivating and ultimately celebratory Symphony No. 12, “The Year 1917” will be presented.

 
Performances held Saturday, March 2nd at 7:30 p.m. and Sunday, March 3rd at 2:30 p.m. at Willson Auditorium (404 West Main Street), Downtown Bozeman. Tickets can be purchased online at bozemansymphony.org, at the Bozeman Symphony offices located at 1001 West Oak Street, Suite 110, by phone at (406) 585-9774, or at the door based on availability. Adult tickets range from $27.00-$67.00. Student discounts are available. A limited number of rush tickets will be released prior to this performance based on availability. Please contact the Bozeman Symphony at (406) 585-9774 or info@bozemansymphony.org with questions you have regarding performance, ticket sales, venue, and seating information. This concert season is generously sponsored by David and Risi Ross. Thank you to Bruce and Kimberlie Jodar for sponsoring these performances.

 
ELLIOT MOORE, conductor
 
Now in his second season as Music Director of Colorado’s Longmont Symphony Orchestra, ELLIOT MOORE is one of the most exciting and multi-faceted American conductors of his generation. Concurrently, he holds the post of Music Director of New York City’s Blue Period Ensemble.
 
Elliot Moore made his Weill Recital Hall at Carnegie Hall debut on March 3, 2015, conducting his newly formed Blue Period Ensemble in a program that included Tibetan Dance and the New York City premiere of Deep Red for Marimba and Ensemble by MacArthur Award recipient Bright Sheng and the Arnold Schoenberg/Rainer Riehn transcription of Gustav Mahler’s Das Lied von der Erde.

 
Highlights of Elliot Moore’s rapidly expanding career include rehearsals and/or performances with Mexico’s Orquesta Filarmónica de Jalisco, Canadian Chamber Opera of New York City, Motor City, Sewanee and St. Cloud symphony orchestras, Georgia’s Symphony Orchestra Augusta and Canada’s National Arts Center Orchestra, as part of its Summer Music Institute Conductors Program. After completing his doctoral work at the University of Michigan, he was invited back to lead programs of the

 
University Philharmonia Orchestra and the Contemporary Directions Ensemble. Dr. Moore also served as Music Director of the Detroit Medical Orchestra.
 
Equally at home on the concert stage and in the opera pit, Elliot Moore led the 2010 world premiere performance of Ursula Kwong-Brown’s The First of Love at Columbia University’s Miller Theatre. He has also led the University of Michigan Opera Theatre’s productions of Strauss’ Ariadne auf Naxos and Verdi’s Falstaff.

 
Born in Alaska, Elliot Moore received his Doctor of Musical Arts degree from the University of Michigan, where he had been a recipient of the Helen Wu Graduate Conducting Fellowship. He began his conducting studies at the Conductors Retreat at Medomak with Kenneth Kiesler and was subsequently invited to be his assistant at the Manhattan School of Music, a position he held for two years.

 
Off the podium, Elliot Moore has a keen interest in languages, is a certified Feldenkrais practitioner and is an award-winning cellist, who has performed in France, Germany, Italy, Switzerland, Brazil and the United States. Elliot Moore and his wife, Dr. Pauline Cichon, a noted physician, make their home in Colorado.

 
CHING-YUN HU, pianist
 
Declared a “first-class talent” and praised for her “poetic use of color and confidently expressive phrasing” (The Philadelphia Inquirer), the distinguished Taiwanese-American pianist CHING-YUN HU is recognized and acclaimed worldwide for her dazzling technique, deeply probing musicality, and directly communicative performance style.

 
Ching-Yun Hu’s concert career has flourished with a host of engagements on five continents after winning the top prize at the 12th Arthur Rubinstein International Piano Master Competition in Tel Aviv, Israel, where she was also awarded the Audience Favorite Prize. Immediately after, she was engaged for a seven-city tour across Israel and a special invitation from the Israel Philharmonic Orchestra to perform Beethoven’s Piano Concerto No. 1 on only a week’s notice. A year later, she won the Concert Artists Guild Competition in New York City.

 
Ching-Yun Hu’s 2018–2019 season highlights include performances in Philadelphia, Amsterdam, Beijing and Bogotá. She gives the Asia premiere of Red Cliff, Concerto for Piano and Orchestra by Yiu-kwong Chung and the National Chinese Orchestra Taiwan, following the concerto’s world premiere with the Chamber Orchestra of Philadelphia and Dirk Brosse. She is heard in return engagements with the Evergreen Symphony Orchestra in Mozart’s Piano Concerto in D minor. She returns to Colombia for a residence at the Festival Internacional de Piano en Ibaque. She also embarks on an eight-city tour of China – “Ching-Yun Hu’s Silk Road Project.”

 
During 2017–2018 season, Ching-Yun Hu performed Rachmaninoff across the world, accompanied by the new release of her all-Rachmaninoff album. Recitals took her to NYC’s Steinway Hall, Miami Music Festival, Distinguished Artists in Santa Cruz, Taipei National Concert Hall, National University of Bogotá, and Altmark Festspiele in Germany. She performed Rachmaninoff’s Rhapsody on a Theme of Paganini with the National Taiwan Symphony Orchestra and Xieman Philharmonic Orchestra. Her performances were broadcasted by NBC News, CINE-TV, WRTI Radio, and news media in Taiwan and China.

 
Ching-Yun Hu made her debut with the Philadelphia Orchestra in 1999. She has appeared at prestigious concert halls across the globe, including Weill Recital Hall at Carnegie Hall and Lincoln Center’s Alice Tully Hall, The John F. Kennedy Center for the Performing Arts, Aspen Music Festival, Wigmore Hall and Southbank Centre, Salle Cortot, Concertgebouw, Herkulesaal Munich, Klavier-Ruhr Festival, Oper Frankfurt, Franz Liszt Academy of Music (Budapest), Duszniki International Chopin Piano Festival and Rubinstein Philharmonic Hall (Poland), Tel Aviv Opera House, Taipei National Concert Hall, and Japan’s Osaka Hall. Ms. Hu is also a frequent guest artist at distinguished music festivals throughout the world.

 
Ching-Yun Hu released her latest solo album, “Ching-Yun Hu: Rachmaninoff”, in Spring of 2018. A collaboration with Philadelphia’s WRTI radio, her album received critical acclaims. The Pianist Magazine gave it 5 stars and proclaimed it “essential listening for Rachmaninoff admirers.” An avid Chopin interpreter, her debut recording, an all-Chopin CD released in 2011 on the Taiwanese label ArchiMusic, won Taiwan’s 2012 Golden Melody Award for Best Classical Album of the Year. The fall of 2013 saw the release of her second CD - music of Granados, Mozart and Ravel - on CAG Records. She recorded for the BMop Sound with the Boston Modern Orchestra Project for Jeremy Gill’s work, released in the fall of 2017.

 
A native of Taipei, Ms. Hu made her concerto debut at the age of 13 on a tour in Japan and Taiwan. One year later, she moved to the United States to continue her musical studies at The Juilliard School, working with Herbert Stessin. She worked with Sergei Babayan at the Cleveland Institute of Music and received additional guidance from Karl-Heinz Kammerling in Germany.

In addition to performing, Ms. Hu is a keen advocate for the promotion of classical music. She founded the Yun-Hsiang International Music Festival in Taipei in 2012, and the Philadelphia Young Pianists’ Academy (PYPA) in 2013. Now onto its 7th year, PYPA has blossomed into one of the most highly-anticipated summer piano festivals on the East Coast encompassing intensive master classes and public concerts featuring internationally celebrated pianists. The accompanying guest lecture series led by music industry executives offers insight to students and the local community. Ching-Yun Hu serves on the piano faculty of the Esther Boyer College of Music and Dance at Philadelphia’s Temple University. She is a visiting professor at the Shenzhen Arts School and an honorary artist of the Henan Cultural Center in China. Ching-Yun Hu is a Steinway Artist.